ORCHESTRA + STRINGS
Stringed instrument and orchestra mics require one thing above all else - faithfulness. They must be faithful to the clarity and warmth of these amazing live instruments, and reproduce their sound (and the room around them) as purely as possible.
Gemini II (dual tube)
"I used the thing on several orchestral elements at Sony scoring and it was outstanding on everything. It's the best tympani mic I've ever used, and I typically use well-maintained 47s or 49s. Really great."
- Chris Fogel, Scoring Engineer ('The Wolf of Wall Street', 'The Secret Life of Walter Mitty', 'Old School') - sE Artist
"The RN17 has become my desert island microphone. If there was one microphone I knew I could take with me that would get me out of trouble, it’s this...The clarity and the detail I get is wonderful."
- Simon Franglen, GRAMMY®-winning Composer / Producer / Musician ('Avatar', 'Titanic', 'Skyfall') - sE Artist